C♯ standard tuning is C♯ F♯ B E G♯ C♯, from the lowest (6th) string to the highest (1st). Compared with standard tuning, 6 strings change.
Three semitones below standard. A heavy, dark sound; thicker strings help keep the low notes firm.
42 tunings with step-by-step changes from standard, a mic tuner, reference tones, and a custom tuning builder.
C♯ standard tuning is C♯ F♯ B E G♯ C♯, from the lowest (6th) string to the highest (1st). Compared with standard tuning, 6 strings change.
Three semitones below standard. A heavy, dark sound; thicker strings help keep the low notes firm.
| String | Note | Frequency (A = 440 Hz) | Change |
|---|---|---|---|
| 1st (highest) | C♯4 | 277.18 Hz | -3 from E |
| 2nd | G♯3 | 207.65 Hz | -3 from B |
| 3rd | E3 | 164.81 Hz | -3 from G |
| 4th | B2 | 123.47 Hz | -3 from D |
| 5th | F♯2 | 92.50 Hz | -3 from A |
| 6th (lowest) | C♯2 | 69.30 Hz | -3 from E |
Every string is 3 semitones lower than standard, so every chord, scale and riff you know works with the same fingers and sounds 3 semitones lower. An E shape sounds as D♭, A as G♭, D as B, G as E.
Singers often find a song easier a little lower, and the looser strings make bends and vibrato easier. Very low tunings also give a heavier, darker sound.
Starting from standard tuning: 6th string down 3 semitones to C#; 5th string down 3 semitones to F#; 4th string down 3 semitones to B; 3rd string down 3 semitones to E; 2nd string down 3 semitones to G#; 1st string down 3 semitones to C#. Use the tuner at the top of this page for each changed string.
From the lowest string to the highest: C#2, F#2, B2, E3, G#3, C#4 (C# F# B E G# C#).
Reverse the changes: 6th string up 3 semitones to E; 5th string up 3 semitones to A; 4th string up 3 semitones to D; 3rd string up 3 semitones to G; 2nd string up 3 semitones to B; 1st string up 3 semitones to E.
Tuning down a lot makes strings slack, which can buzz. If it does, use a heavier string set or play a little lighter.