Sixteenth-note pop: an up strum just before beats 2 and 4 pushes the groove forward. Written in arrows it is DU DD DU DD.
The player above plays it at 80 BPM over the chords C – G – Am – F. Press Start to hear it, or slow it down to see each stroke.
161 strumming patterns from beginner to funk and Bollywood, played with real chords, with slow motion and a moving strum hand.
Sixteenth-note pop: an up strum just before beats 2 and 4 pushes the groove forward. Written in arrows it is DU DD DU DD.
The player above plays it at 80 BPM over the chords C – G – Am – F. Press Start to hear it, or slow it down to see each stroke.
| Count | 1 | e | & | a | 2 | e | & | a | 3 | e | & | a | 4 | e | & | a |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Strum | ↓ | · | · | ↑ | ↓ | · | ↓ | · | ↓ | · | · | ↑ | ↓ | · | ↓ | · |
| Hand | ↓ | ↑ | ↓ | ↑ | ↓ | ↑ | ↓ | ↑ | ↓ | ↑ | ↓ | ↑ | ↓ | ↑ | ↓ | ↑ |
Say the count out loud and strum only on the bold words: 1 e & a 2 e & a 3 e & a 4 e & a
↓ down · ↑ up · ✕ chuck (muted) · B bass note · b second bass note · bold: accent · dashed: palm-muted · underlined: short. The last row is the strumming hand, which keeps moving even where nothing sounds.
DU DD DU DD uses eight of the sixteen sixteenth-note slots in the bar: six down and two up, with the hand swinging past the strings eight times. Four strokes fall on the beat and four between beats. The bar ends with a silent swing on the “a” of 4, a free moment to move your fretting hand to the next chord.
Count “1 e & a” on every beat. The up strums on the “a” just before beats 2 and 4 are what push the groove forward, so make sure they are early, not late.
On the “e” of 1, the “&” of 1, the “e” of 2, the “a” of 2, and so on the hand moves without touching the strings. Keep it moving there, in the same down-up rhythm.
On the “a” of 1 and the “a” of 3, brush the top three or four strings, a little softer than the downs.
At 80 BPM a bar lasts 3.00 seconds and you play 160 strokes a minute. Slow motion at ×0.5 brings that down to 80.
Acoustic pop strumming copies the drum kit. The chuck stands in for the snare on beats 2 and 4, and sixteenth-note patterns copy the busy hi-hat, so one guitar can sound like a whole rhythm section in a cover or a singer-songwriter set.
Change it in the pattern builder
Count “1 e & a 2 e & a 3 e & a 4 e & a” and play down on beat 1, up on the “a” of 1, down on beat 2, down on the “&” of 2, down on beat 3, up on the “a” of 3, down on beat 4 and down on the “&” of 4.
80 BPM here, 160 strokes a minute. Learn it near 48 BPM; songs with this feel usually sit between 80 and 125 BPM.
It is intermediate: the hard part is the silent swing on the “&” of 1 into the up strum on the “a” of 1. Get D DU D DU and D DU UDU steady first, then take this one from 48 BPM.
Any chords. Try C – G – Am – F, or Am – F – C – G, or G – Em – C – D, or type your own in Advanced.